Below You will Find a list of course readings. Please follow the appropriate links to view the readings. If you have trouble viewing the PDF documents try downloading and installing an up to date version PDF viewer – Adobe Reader
Project 1: Digital Representations
Heartney, Eleanor. “Art & Representation the Fiction of Realism.” Art & Today. New York: Phaidon, 2008. 96-97. Print.
Baudrillard, Jean. “The Hyper-realism of Simulation” 1929. New Edition Art in Theory 2000 An Anthology of Changing Ideas. Ed. Charles Harrison and Paul Wood.
N.p.: Blackwell Publishing Ltd, 2003. 1018 – 1020. Print.
Project 2: Sensation
Bell, Julian. “Photography and Realism.” What Is Painting Representation and Modern Art. New York: Thames and Hudson, 1999. 57-74. Print.
Deleuze, G. (2003). Note on Figuration in Past Painting. In G. Deleuze (Author), Francis Bacon: The logic of sensation (pp. 8-11). New York, NY: Continuum.
Deleuze, G. (2003). Painting and Sensation. In G. Deleuze (Author), Francis Bacon: The logic of sensation (pp. 34-43). New York, NY: Continuum.
Project 3: Altering Image & Meaning
Rugoff, Ralph. “Painting Modern Life.” The Painting of Modern Life: 1960s to Now. Curator Ralph Rugoff. London: Hayward Publishing, 2007. 10-17. Print.
Barry Schwabsky, “Sheer Sensation: Photographically-based Painting and Modernisim.” The Painting of Modern Life: 1960s to Now. Curator Ralph Rugoff. London: Hayward Publishing, 2007. 26- 31. Print.
Project 4: Memory Tool
Mullins, Charlotte. ‘The Past Deconstructed’, Painting People figure painting today, Thames & Hudson Ltd, London, 2006. 147-175
Guston, Philip. “Philip Guston Talking.” 1978. Theories and Documents of Contemporary Art A Sourcebook of Artists’ Writings. Ed. Kristine Stiles and Peter Selz. California: University of California Press, 1996. 249-253. Print.